ILM finally seem to have finished the digital toolkit they’ve been toying with since the late nineties fashioning flora and fauna that has real weight and substance for the first time. The sequence ends with the saga’s single most audacious shot since the Star Destroyer first passed overhead - the front half of Grievous’ flagship The Invisible Hand screeching to a halt yards from camera - and it becomes clear that faced with the thankless task of directly dovetailing into a timeless classic everybody from Lucas down has raised their game considerably. Like a fragment from a lost civilization, this episode hints at countless Clone Wars escapades that sadly exist only in the extended universe - still, at least we have that bit where Jar Jar falls over the explosive marbles captured on film. Fast, loose, inventive and within touching distance of funny, this is the spiritual sequel to the original escape from the Death Star, reloaded with full Jedi powers. In true Saturday morning serial fashion Sith begins with a chapter left-over from a previous adventure: the rescue of the Chancellor from General Grievous by Anakin, Obi-Wan and the saga's best sidekick: R2-D2. In perhaps the most blatant instance of a Star Wars character plugging a plot hole, at one point in Return Of The Jedi, Obi-Wan Kenobi brushes aside the lies he told Luke about Vader with this infamous equivocation, "Many of the truths we cling to depend greatly on our own point of view." So then, from a certain point of view, Revenge Of The Sith, simultaneously the middle and last Star Wars movie, is the best sequel, and the most pleasing surprise, in the entire saga.
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